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・ Bernard Pumfrey
・ Bernard Punsly
・ Bernard Purdie
・ Bernard Purdie (footballer)
・ Bernard Pyne Grenfell
・ Bernard Pécoul
・ Bernard Q. Pitts
・ Bernard Quaife
・ Bernard Qualtrough
・ Bernard Quaritch
・ Bernard Quarles
・ Bernard Quatermass
・ Bernard Quennehen
・ Bernard Quilfen
・ Bernard Quinlan
Bernard Quiriny
・ Bernard R. Goldstein
・ Bernard R. Hubbard
・ Bernard Radford
・ Bernard Rahis
・ Bernard Rajzman
・ Bernard Ramanantsoa
・ Bernard Ramm
・ Bernard Ramsey
・ Bernard Randolph
・ Bernard Randolph (cricketer)
・ Bernard Rands
・ Bernard Rapoport
・ Bernard Rapp
・ Bernard Ratterman House


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Bernard Quiriny : ウィキペディア英語版
Bernard Quiriny

Bernard Quiriny (born 27 June 1978) is a Belgian writer and literary critic. He is also a professor of public law at the University of Burgundy, having published numerous scholarly articles in the legal field since receiving his doctoral dissertation in 2005. In addition, he works a staff writer and head of the literature column for the cultural magazine ''Chronic'art''.
==Literary works==
Quiriny is best known for his collections of fantastic short stories (''L'Angoisse de la première phrase'', ''Contes carnivores'', ''Une collection très particulière''). All three feature a recurrent character, Pierre Gould, described as "eccentric", a "poet, dandy, book-lover, just a bit of a misanthrope". These stories have often led to comparisons with other writers such as Jorge Luis Borges, especially because of their inclusion of twists and fantastic or horriffic elements.〔
In 2010, Quiriny published his first novel, ''Les assoiffées'', which depicts modern Belgium as a closed, totalitarian government run by radical feminists, similar North Korea in that little is known about what happens in Belgium in the outside world. The story follows Pierre Gould who, accompanied by a group of hand-picked journalists, is the first man to be receive permission to visit Belgium since the violent 1970 revolution.
His latest work, ''Monsieur Spleen'', is a biography of the symbolist poet Henri de Régnier, an author today largely unknown in modern literary circles. Although biographical, the tone of the work is situated between that of a novel and a historical account, characterised by the use of irony and humour.

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